BIOGRAPHY

Aimee Odum is a multidisciplinary artist working in sculpture, ceramics, video, and interactive media. Her work explores the relationship between technology, the natural environment, and contemporary life through otherworldly, immersive, and visually engaging forms.

Odum holds an MFA from the University of Arkansas, Fayetteville, and has been invited to present her work at institutions including Crystal Bridges Museum of American Art. She is a recipient of the Fulbright Honors’ Sturgis International Fellowship, which supported five months of studio research in Iceland. Based in Utah, Odum is the co-founder of Artist Run Club SLC and maintains an active studio practice informed by both research and place-based experience.

Odum has exhibited nationally and internationally with solo exhibitions at Ogden Contemporary Arts, (Ogden, UT); Arts + Leisure Gallery (New York, NY) and Random Access Space, Syracuse University (Syracuse, NY); as well as two-person exhibitions at GRIN, (Providence, RI); Elijah Wheat Showroom (Brooklyn, NY); Satellite Art Show (Miami, Florida); and Hectoliter, (Brussels, Belgium). Odum’s work is part of public collections, including the State of Utah Alice Merrill Horne Art Collection.

 

ONE & TWO PERSON EXHIBITIONS

2025 DOOMSCROLLER, Curated by Kasey Lou Lindley, Ogden Contemporary Arts, National Council on Education for the Ceramic Arts (NCECA), Ogden, UT 

2025 Smooth & Striated, (with Shasta Krueger), Cityhome COLLECTIVE, NCECA, Salt Lake City, UT 

2023 Getting to Know You, Bountiful Davis Art Center, Bountiful, UT

2018 Infinite Infinite, Arts + Leisure Gallery, New York, NY

2018 Persistence of Future Memories, (with Annie Ewaskio), Elijah Wheat Showroom, Brooklyn, NY

2017 Horizon Lines, Curated by Arts + Leisure Gallery, Satellite Art Show, Miami, FL

2017 Nearly Not There, (with Hannah Newman), GRIN, Providence, RI

2017 Thoughts in the Sky, Random Access Gallery, Syracuse, NY

2016 In Rift, University of Arkansas Fine Arts Gallery, Fayetteville, AR

 

SELECTED GROUP EXHIBITIONS

2025 Positioning Systems, Curated by Rachel Eboh, Northern-Southern Gallery, Austin, TX

2025 Macro to Micro: A Changing Utah, Westminster University, NCECA, Salt Lake City, UT

2025 Clay Arts Utah, Curated by Dawn Atkin, Salt Palace Convention Center, NCECA, Salt Lake City, UT

2024 Local Artists, Tippetts & Eccles Galleries, Utah State University, Logan, UT

2024 35x35, Juried by Artists of Utah, 15 Bytes, Finch Lane Gallery, Salt Lake City, UT

2022 UT Statewide Annual: Painting, Sculpture, Installation, Juried by Ya L’Ford & Anna Valdez, Ogden Contemporary Arts, Ogden, UT

2020 Retention Space, National Conference for Education in the Arts (NCECA), Scott’s View Historic Space, Richmond, VA, Curated by Adams Puryear, Gus Hamilton, Anders Hamilton (cancelled due to the Covid-19 pandemic)

2019 The Space Itself, The Boiler, Brooklyn, NY

2018 The Anti Art Fair, Curated by Elijah Wheat Showroom, Creative Debuts, London, U.K.

2018 Year Zero, Curated by Roxanne Jackson, Cunsthaus, Tempus Projects, Tampa, FL

2018 Navigating Elements, Curated by Ysable Pinyol & Jodi Throckmorton, Rowan University Art Gallery, Glassboro, NJ

2017 DNA Summer Residency Exhibition, DNA Gallery, Provincetown, MA

2017 Nasty Women Exhibition, Knockdown Center, Queens, NY

2016 Relative Ground, Curated by GRIN, Machines with Magnets, Pawtucket, RI

2016 Running Towards Dreams, Negar Art Gallery, Tehran, Iran

2016 LaRK, Student Union Gallery, Louisiana State University, Baton Rouge, LA

2015 The World Belongs to Everyone, Not Only A Chosen Few, The Living Art Museum, Reykjavik, Iceland

2015 Ahh, Now it All Makes Sense, Fine Arts Building Project Space, Iceland Academy of the Arts, Reykjavik, Iceland

2015 Destabilizing Dystopia, dc3 Art Projects Gallery, University of Alberta, Edmonton, Alberta, Canada

2015 Our Kansas, Your Kansas, Kemper Art Gallery, University of Kansas, Manhattan, KS

2015 Vox Femina, Art Center of the Ozarks, Springdale, AR

2014 Heavy Things & Light Things, sUgAR Gallery, University of Arkansas, Fayetteville, AR

2014 Icelandic Experiment, Gúttó Gallery, Sauðárkrókur, Iceland

2014 Opið Hús, Nes Artist Residency, Skagaströnd, Iceland

2013 Irene Rosenzweig Biennial, Arts & Science Center for Southeast, Arkansas, Pine Bluff, AR

2013 Kentucky National Exhibition, Clara M. Eagle Gallery, Murray University, Murray, KY

2012 Progressive Patterns, Springfield Pottery, Springfield, MO

TIME-BASED: FILM / PERFORMANCE

2020 Happy Fatalism, by Maris, Videography & Direction, Commissioned by Jazz Labs & WERF Records 

2019 Streetlight Revisited, Roman Susan Gallery, Chicago, IL

2016 Pop Art vs. Nature Short Film Festival, Crystal Bridges Museum of American Art, Bentonville, AR

2016 How’s Things, by Maris, Videography & Direction, Commissioned by WERF Records 

2015–16 Golden Blobess, Video, Sound, and multi-media Performance with Mariske Broeckmeyer

Locations: Croxaphox, Ghent, Belgium; In de Ruimte, Ghent, Belgium; Hectoliter, Brussels, 

Belgium; Volta Sessions, Brussels, Belgium; Mengi, Reykjavik, Iceland

2015 Streetlight, Roman Susan Gallery, Chicago, IL

 

Film by Cody Ard, Music “Soon Enough” by Mariske Broeckmeyer